![]() ![]() Mourlot 679a, 67 x 75.5 cm (sight size) Subscribe to see sale result Graveur I, II, III, IV and V, 1981 (12.vi. It must have radiance it must be like those stones which Pyrenean shepherds use to light their pipes. Lithograph on synthetic canvas, by Joan Miro & Shuzo Takiguchi. It must dazzle like the beauty of a woman or a poem. ![]() "For me, a picture should be like sparks. Miró's signature biomorphic forms, geometric shapes, and semi-abstracted objects are expressed in multiple media, from ceramics and engravings to large bronze installations. Joan Miró (1893-1983), Maravillas con Variaciones Acrósticas en El Jardín de Miró, portfolio with 20 lithographs in colors and text pages, 1975, each signed on the plate, with printed signature and numbering on the justification page, copy 443 (of 1500), printed and published by Ediciones Poligrafa, Barcelona, in an illustrated original canvas portfolio cover, approx. Rather, his artistic career may be characterized as one of persistent experimentation and a lifelong flirtation with non-objectivity. His exposure to the ideas of André Breton and Breton's Surrealist circle prompted Miró to make radical changes to his style, although the artist cannot be said to have identified consistently with a single school. Influences ranging from the folk art and Romanesque church frescoes of his native Catalan region in Spain to 17th-century Dutch realism were eventually superseded by more contemporary ones: Fauvism, Cubism, and Surrealism captivated the young artist, who had relocated to Paris in 1921. Printed and published by Arte Adrien Maeght, Paris. Joan would spend a lot of his time creating the robust mosaic. An original Joan Miro lithograph on BFK Rives with signature in the plate (printing). ![]() Early in his career, Miró primarily painted still-life, landscapes, and genre scenes. The final painting consists of Miró’s signature, brightly colored ceramic pieces. ![]()
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